Anastasia Huppmann

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Ocean etude op 25 no 12

Ocean etude op 25 no 12

By In Anastasia´s posts On 4. August 2015


The Ocean Etude: A Study in Uncharted Emotional Depths

Ocean Etude

Ocean Etude

Mournful. Yearning. Sublime. Sentimental. These are four of the numerous words which can be used to describe the emotional qualities contained within Opus 25 No. 12 composed by Chopin. Often referred to as the “Ocean Etude”, this piece is the final work within the entire set of 24. Chopin is known for his delicate and well-placed use of arpeggios within many works and this oeuvre is certainly no different. While technically challenging (particularly in terms of the modulation of the arpeggios themselves), the real appeal of this work is the emotional tonality punctuated by the left hand. Rising and falling notes highlight what can only be called a rather tragic nature; particularly interesting to me as a pianist. This song takes me on a voyage to the unseen depths of the heart and to a place where melodic overtones replace language altogether.

Historic Roots

One of the factors which immediately drew me to this piece was the backdrop involved during its creation. Warsaw had recently fallen to the Russians and many feel that Chopin captured his emotions (whether intentionally or otherwise) when composing the Ocean Etude. We hear a truly dramatic quality resonating throughout the piece and the rapid rising and falling arpeggios are counterbalanced by its decidedly melancholic undertones. I consider this work to be much more of an emotional journey than merely a challenging composition from a technical point of view. We are immediately thrown into a slightly chaotic environment from the very beginning and these chords clearly define the sentiment of the piece as a whole. What is also quite interesting is that Chopin is always able to capture a perpetual sense of beauty even when the reigning sentiment slightly hints at emotional chaos. Such a talent is clearly seen within the Ocean Etude, as there is a slight flavour of despondency (and even desperation) within its framework.

More Than Notes and Arpeggios Alone

Even the untrained ear is able to fully appreciate the genius that has gone into this piece. Indeed, Chopin always exhibited the innate ability to combine technical difficulty with unbridled emotion. Many would rightfully argue that this was one of the main reasons for his talent as a composer. Some listeners will hear rage in the Ocean Etude while others instead focus upon a sense of forlorn longing; as if a long-lost lover had suddenly departed and the player is unsure if he or she will ever return. As for myself, a kaleidoscope of emotions careen through my mind and pour themselves out onto the keys while playing. Much like the other compositions created by Chopin, its true beauty lies in an ability to resonate with the listener on sublime and unspoken levels of the soul.

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About the Author

Anastasia

Anastasia Huppmann is a Russian-born Austrian concert pianist. Her repertoire includes solo works and orchestral compositions of Frédéric Chopin, Franz Liszt, Franz Joseph Haydn, Sergei Rachmaninoff, Claude Debussy, Ludwig van Beethoven, Sergei Prokofiev and others.